David Lynch, Catching the big fish, Jeremy P.Tarcher/Penguin, 2007
terça-feira, abril 01, 2008
rei pescador 7.0 (eu também)
Often in a scene, the room and the light together signify a mood. So even if the room isn't perfect, you can work it with the light and get it to feel correct, so that it has the mood that came with the original idea. The light can make all the difference in a film, even in a character. I love seeing people come out of darkness.
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